Although he played an instrument more closely identified with uptown concert halls than downtown jazz clubs, there was no mistaking the primary source of
's musical inspiration. While his violin technique was extensive and his familiarity with contemporary classical forms apparent,
's rough-edged, sometimes almost guttural tone, old-fashioned sense of swing, and lexicon of vocalic expressive devices defined him as a jazz musician.
composition, yet he invested them with an emotionalism and spontaneity unique to jazz. Whether in the abstract (as a solo violinist, elaborating on skeletal melodic material) or as part of a greater whole (with
performance was always awash with surprise.
Bang was born in Alabama as Billy Walker, but as an infant moved with his mother to Harlem. He was a small youngster, so when he evinced an interest in music as a junior-high student, he was given a violin. About this time he began being called
Billy Bang after a cartoon character. Prompted by a fascination with Afro-Cuban rhythms, he switched to percussion in the early '60s. As a hardship student at a Massachusetts prep school,
Bang played drums with his fellow student, the folksinger
Arlo Guthrie.
Bang was drafted into the service and was sent to Vietnam. He became radicalized upon returning to the U.S. and worked in the antiwar movement.
Bang began playing music again in the late '60s.
Bang was inspired by the free jazz of the mid-'60s, especially the music of
John Coltrane and
Ornette Coleman.
The influence of germinal free jazz violinist
Leroy Jenkins (and
Coleman's violin work) led
Bang back to his original instrument.
Bang studied with
Jenkins and involved himself with the burgeoning New York free jazz scene. He collaborated with saxophonists
Sam Rivers and
Frank Lowe and performed often in the downtown lofts that housed the avant-garde music of the day.
Bang formed his own group, the Survival Ensemble, in the early '70s. In 1977,
Bang co-founded (with bassist
John Lindberg and guitarist
James Emery)
the String Trio of New York. It was for his work with the latter group that
Bang became best known (he left the band in 1986). He also played with bassist
Bill Laswell's
Material and drummer
Ronald Shannon Jackson's
Decoding Society, and led his own groups. In the mid-'80s,
Bang played briefly with a funk band called
Forbidden Planet. He also collaborated on various projects with pianist
Marilyn Crispell, trumpeter
Don Cherry, and guitarist
James "Blood" Ulmer.
In the '90s,
Bang fronted his own ensembles and occasionally led ad hoc groups on record dates. A 1992 session with
Sun Ra (on what was possibly
Ra's last recording), bassist
John Ore, and drummer
Andrew Cyrille resulted in
Tribute to Stuff Smith (Soul Note).
Bang recorded
Spirits Gathering with a band that included drummer
Dennis Charles for the CIMP label in 1996. The next year, he made his most straight-ahead jazz album,
Bang On!, for Justin Time. That same year, he recorded
Commandment (For the Sculpture of Alain Kirili), an album of solo violin, for
Alan Schneider's NoMore label. The new millennium saw the release of
Big Bang Theory in 2000, followed by a pair of albums drawing on
Bang's Vietnam experience, 2001's
Vietnam: The Aftermath and 2005's
Vietnam: Reflections. A live set,
Above and Beyond: An Evening in Grand Rapids, appeared in 2007. Suffering from lung cancer,
Billy Bang died due to complications from the disease at his home in Harlem on April 11, 2011 at the age of 63.
–
Chris Kelsey, Rovi